The Smithsonian Looks At How The Slave Trade Shaped The World, The New York Times.
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“Painted State” features work by a nearly complete roster of Greenhut’s artists, who have been adept at depicting the infinitely variable topographies, moods and seasons of Maine.
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Using video, sculpture, painting, assemblage, copper-plate etchings, drawing and other media, the two artists [Daniel Minter and Eneida Sanches] explore the displacement at the center of the African Diaspora experience and the ways this experience is shared across seas and continents.
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Whalley’s works transmit warmth, melancholy and/or nostalgia, as well as a poignant sense of the passage of time.
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Nancy Gordon and Dan Kany interview Tina Ingraham for Creative Maine.
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