Forest Murmurs -The Maine Woods:Paintings by Joel Babb
Joel Babb graduated in Art History from Princeton in 1969, studied with George Segal and George Ortman and spent a year in Munich and Rome before going to Boston to get an MFA from the Museum School and Tufts. There his style changed from abstraction to a contemporary realism. His cityscapes are the works for which he is best known in Boston. Some are street level panoramas like the large View of Harvard Square in the Charles Hotel, Cambridge. Others are panoramas from a high prospect like the View from the Roof of 500 Boylston for Mass Financial, or the View from the Financial District at Standish, Ayer and Wood, or the View of Cincinnati done for Gradison Investments. All of the panoramas play with problems of flattening a wide angled space into a picture plane.
In 1984 he began a series of aerial views based on photos he took from a helicopter over Boston. These are often experimental perspectives like the one point perspective straight down of Copley Plunge or the View of Back Bay at Harvard Business School and the two paintings for Fidelity.
In the mid 1970’s he began building a studio and residence in Sumner, Maine which soon became a full time residence. Though he continued to paint cityscapes in the late 1980’s he began a series of large landscapes of the woods near his studio. One is The Hounds of Spring which hangs in Baker Library at Harvard Business School.
In 1996 he finished the painting recreating the first successful organ transplant in man which hangs in the Countway Library at Harvard Medical School, working with the doctors who achieved this important medical innovation.
He has had three shows at Vose Galleries and been in shows at Naga in Boston, Sherry French, Gerold Wunderlich, The National Academy in New York City, Center for Maine Contemporary Art, Portland Museum of Art, the Ogunquit Museum and Frost Gully Gallery in Maine, the Arnot Art Museum, The Naples Museum of Art, Trudy Labell Fine Arts in Florida, and many other galleries and museums. His work is in numerous public and private collections, including the permanent collections of the Museum of Fine Arts, Boston, the Portland Museum of Art, and the Fogg Museum.
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Sandra Quinn: Beneath the Surface
While the world was spinning in response to the pandemic, I chose to take a break from painting and experiment with mark-making on paper. Using materials such as graphite, inks, watercolor, gesso, wax, and markers, I explored the feelings that arose during isolation. The studio provided a haven for quiet reflection.
Working abstractly and without a preconceived idea, I began with a mark or gesture. The challenge, then, was to create a balance between my inner world and the world I inhabit. The layers are the history of my process and an expression of my intuitive response. ~ Sandra Quinn
Quinn is a graduate of The Maine College of Art and a member of Peregrine Press in Portland, Maine. Sandra paints the emotional world of feelings she carries inside. Her work is a reflection of sacred concepts made visual that express a sense of movement and grace in an atmosphere of space and light. Marks are carefully edited to maintain the prominence of the rhythm.
Memories become colored with time and redefined as truth. Each painting is an exploration of the artist’s memories and history. There is a tension between the sound and stillness that creates the rhythm, the dance, and the balance of life.
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